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To learn more about the symbolism placed on the eye by the ancient Egyptians see our page on the Eye of Horus.
The work of the Frenchman Ambroise Paré from 1579 (published posthumously in 1614) features illustrations of artificial noses held on with strings and artificial eyes on the end of curling rods that bend round the head. In 1561 Paré had been the first man we know of to recommend placing a gold and coloured enamel artificial eye into the actual orbit of a living patient, nestling beneath the eyelids though often not in an altogether empty socket but on top of the atrophied remains of the original eye. This type was known as hypoblephara. This seems like an incredibly late historical development but then Paré did not claim that the idea was new. There is much research still to complete, including an investigation into those facial prostheses (such as there are) preserved in public museums. We can observe that there was a parallel development in the sixteenth century of artificial noses and ears, spurred mainly by the injuries incurred when fighting a duel.
Artificial eyes are not for seeing, but are for being seen, being located smack in the middle of the face - the most visible part of the human body. Early false teeth were also designed entirely for the sake of appearance; from the seventeenth century Netherlands comes a description by Beverwijck of ivory teeth attached to the remaining natural teeth by means of gold wire, but these were quite unsuitable for biting or chewing. Tooth decay was presumably far more prevalent than eye loss so the lengths that people would go to conceal it are perhaps more surprising.